It seems strangely fitting that artist Colin Caffell, who typically works with earthy materials (clay, bronze, wax, resin, wood) as a potter and sculptor (see his beautifully multi-hued seascape-theme ceramics below), should have chosen to highlight the very fragility of Mother Earth in his solo exhibition, ‘Reflections on the Feminine – a visual essay’ atContinue reading “Un-Earthing meaning: Colin Caffell’s ‘Reflections on the Feminine – a visual essay’ at Penwith Gallery, Cornwall”