Connection in the time of social d(ist)ancing

Thanks to the abundant creativity, generosity, vibrancy and innovation of the international salsa community, keen dancers like me have been able to get our fix 24/7 during lockdown, with round-the-clock sets from some of the world’s very best salsa DJs streamed live on via the CoBeatParty Facebook page – including the world’s very first online-only salsa congress, which featured some amazing dance and music workshops from Eddie Torres Jr and Princess, Joel Domingo and Maria Palmieri, Alexistyle Ruiz, Joaquin Arteaga from Tromboranga and others.

Other initiatives have arisen almost daily ever since the global lockdown in response to the Covid-19 pandemic began, with an explosion of online dance-oriented exercise sessions, classes and workshops in salsa, bachata, kizomba and other popular partner-dance styles offered for free (mostly).

While various London radio stations have hosted salsa sessions for a while (e.g. DJs Tuli and Hughie leading The Latin Explosion on Colourful Radio and DJ Del Salereo offering Cuban vibes on Back2Back FM, for example), radio seems to have found a new lease of life online through DJ Sassia Michel’s excellent Salsalockdown channel. Featuring various UK and international DJs on rotation, this online radio channel offers dancers a chance to chat with each other and interact in real-time with the DJs, some of whom have delighted in the opportunity to explain their musical preferences, introduce some unusual offerings (DJ Martina Petrosino, especially), or quiz the listeners with fascinating snippets of musical history and explanations (thank you, Alexistyle and Jamil, for the fun quizzes, and for sharing your wealth of knowledge about musicality, the instruments and the history of salsa! We have all benefitted greatly from it).

While this plethora of dance and musical offerings online has indeed been very welcome at this time of social distancing (which of course means not dancing socially), it has also sharpened the distinctions of what it actually is that truly keeps us connected as dancers: it’s the music.

Whenever someone asks me why I like dancing with partner X or partner Y, or what it is that makes a truly great dance, I’ve tried to explain that in my opinion, the best dances happen when both dancers are simultaneously feeling and expressing the music in the same or a responsive way. They don’t necessarily need to be doing exactly the same steps, patterns or movements – in fact, the dance is often like a conversation, in-joke or flirtation between two consenting adults – but they do need to be responding to the same elements in the music, and also correctly within the timing and style of that music. And unless both dancers are in tune with and truly connected with the music, they won’t achieve a perfect connection when they dance together.

Social distancing has revealed what it is that truly keeps us connected as dancers: it’s the music.


In truth, while I can’t deny missing the buzz of face-to-face and skin-to-skin encounters, and indeed like many others at this time, I am craving physically connecting in real-time on a dance floor, I’m also deeply grateful for the chance to practise other forms of connection at this time – nature, art and writing are all things that are actually best practised and enjoyed in solitude; so is listening deeply to and really understanding and feeling the music. The ability to do that is absolutely essential to excellence as a dancer, so this time is in fact a real gift to anyone who really wants to be a good and certainly a great social dancer or performer. And that is one reason I can truthfully say that, even as a dancer, this period of ‘inactivity’ is truly a blessing in disguise, as it will enable us to take time out to listen more deeply to the music we all know and love to dance to.

But even on a social level, this time out we are experiencing has benefits. Being an undeniable extrovert as well as a long-time social dancer (I first began dancing salsa 23–24 years ago; I was also teaching a full syllabus of Salsa and Related Latin Dances and writing about salsa for over 10 of those years), I can’t say I don’t feel connected to other dancers, thanks to the above initiatives. Given my dedication to going out at least a couple of times a week to dance, and attending at least a few major international or London-based salsa festivals each year, it is hardly surprising that everyone who knows me expected me to feel quite bereft or at least deeply challenged by not being able to go out and social dance, but truthfully – for the moment at least – I’m fine, even grateful for the break.

When life hands you Covid-19, make a CoBeatParty!

Admittedly, I’ve missed having a reason to get glammed up, but even that has had its moment online, thanks to the Agozar team inviting me to join them in a ladies’ version of the men’s ‘Brush’ routine, which was a lot of fun (I’m near the end, transforming from my high-vis Bucks Angels volunteer jacket to a congress-ready look).

Although these do have their limits compared to being there in the flesh, at least we now have a range of social media and real-time meeting apps such as Zoom allowing us to connect and chat with each other in real time via text or video. Occasionally, when we’re chatting online, the actual social connection is surprisingly better than the real-life situations it is temporarily replacing, as for one thing, you can actually hear what others are saying. Online chats mean you don’t have to compete with the noise and distractions of a crowded club, dance class, bar, dance festival, or even a boozy congress party, and so and are able to appreciate all the quirks of your friends’ unique personalities.

Will the close physical contact we as dancers are used to enjoying at international congresses (as here – Vienna Salsa Congress, December 2017) become consigned to the dustbins of history? That is the burning question on many salseros’/as’ lips at this time

I’m sure this is the main reason for the popularity of pre- and after-parties at congresses: people just want to get to know others and also be known more intimately, as that way you can make deeper connections and lasting friendships – which of course we can’t really do when we are all too busy dancing. So, by eliminating the background noise and distractions – as well as the desire to run off and dance as soon as we hear a great tune – we can truly focus on what the other person is saying, enabling a deeper, richer understanding and more genuine personal connection.

It’s hard to imagine how we would be able to remain connected without these online channels; we’d probably all feel like we’re hiding out in a dark cave on some deserted island. Which, if this situation drags on interminably – as some suspect it will do, given the virus’s rate of global multiplication – we may well effectively be doing. But right now, it still seems like a gift – a challenge to the most creative among us to make the best with what we’ve got – so perhaps a salsa-relevant version of the saying should be, ‘When life hands you Covid-19, make a CoBeatParty!’

As for me, I’m still feeling grateful… whether I’ll still feel like that after another few weeks or months of non-physical lockdown isolation remains to be seen. Watch this space!

3 thoughts on “Connection in the time of social d(ist)ancing

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